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Gratitude for Soil Composters

Gratitude for Soil Composters
Today, I acknowledge and celebrate the soil composters, which are microbes such as Bacteria, Fungi, Actinomycetes, Algae, Protozoa, and Nematodes. These characters breakdown the dying and dead, and work together to create nourishing environments.
I am grateful for these forces that I cannot see continue their steadfast focus of alchemical change. The living experience of composters consuming, transforming and offering, an ongoing cycle. This sustains the soils, and the foundation for food production.
On this late winter day, let’s take a moment of awareness and contribute in some way to our net of earth microbes, offering our dead to the compost bin or pile, turning over the compost heap or noticing the new green shoots peaking out.
—Alex

How about you? What are you composting this month? What are your tools of alchemy?

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There is magic in decay

There is magic in decay
February is compost month.
I’m spending a lot of time sloughing off 2015 and fully entering 2016. I’m making fertile ground from last year’s waste. I’m still letting go, but things are starting to emerge, too: new ideas, new production, new energy.
I love talking about compost, as in my conversation with Amy on this month’s Pleasure Lab podcast, because it illuminates so much of the necessary but often disgust-inducing processes that bodies (and lives) go through. Remember that bumper sticker—"Throw it ‘away’? There is no ‘away.’" Now, I notice that waste bins in many places are labeled "recycling" and "landfill." I find something beautiful in the grotesque, in the unspeakable, in the unconscious. Don’t you?
—Zed

Compost

By Dan Chelotti
There is magic in decay.
A dance to be done
For the rotting, the maggot strewn
Piles of flesh which pile
Upon the dung-ridden earth
And the damp that gathers
And rusts and defiles.
There is a bit of this
In even the most zoetic soul — 
The dancing child’s arms
Flailing to an old ska song
Conduct the day-old flies
Away to whatever rank
Native is closest. Just today
I was walking along the river
With my daughter in my backpack
And I opened my email
On my phone and Duffie
Had sent me a poem
Called “Compost.” I read it
To my little girl and started
To explain before I was three
Words in Selma started
Yelling, Daddy, Daddy, snake!
In the path was a snake,
Belly up and still nerve-twitching
The ghost of some passing
Bicycle or horse. Pretty, Selma said.
Yes, I said. And underneath my yes
Another yes, the yes to my body,
Just beginning to show signs
Of slack, and another, my grasping
In the dark for affirming flesh
That in turn says yes, yes
Let’s rot together but not until
We’ve drained what sap
Is left in these trees.
And I wake in the morning
And think of the coroner
Calling to ask what color
My father’s eyes were,
And I asked, Why? Why can’t
You just look — and the coroner,
Matter-of-factly says, Decay.
Do you want some eggs, my love?
I have a new way of preparing them.
And look, look outside, I think this weather
Has the chance of holding.
From poetryfoundation.org

How about you? What are you composting this month? What are your tools of alchemy?

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How to Scratch an Itch

How to Scratch an Itch or The Composting of Ideas
When I’m working on a visual design project, one of my favorite parts of the process is the "not doing" phase.
When I’m designing a book, business card, or illustrating an idea I first get clear on the intention of the project. What is the hope or aspiration? What meaning and feeling will it convey? What is the design intention? I then spend hours looking at other types of design (the joke in graphic design is that there are no original ideas, just borrowed ones) seeing what styles have resonance, even if I’m not sure exactly why. Once I’m visually satiated, it is then time for the "not doing." That means forget all about the project, go for a walk or the gym, and completely surrender the idea to my unconscious. It’s like heading out while a big pot simmers on the back of the stove: I know when I return that something delicious will be waiting. All those ideas and other images will have been digested, transmuted into something new and exactly what I need for the project. It’s a kind of composting. It requires a trust in my capacities of creative digestion. And it’s deeply pleasurable.
Sometimes the composting, this "not doing" can happen in the present moment. For example, I have a concept like "itch" that I want to illustrate. I’m curious about the sensory experience of itch and perhaps I read a bit about it, discerning the differences between itch and scratch and pain, discovering the role of natriuretic polypeptide b (Nppb) and the pathways between skin and brain, etc.. And then I just let my pencil wander across the page, letting images emerge that are not a conscious depiction of "itch" but more an embodied sourcing of what my eyes and drawing hands ‘hear’ from the intelligence of my body that knows "itch." The result is not something my mind would ever have designed, but the image has resonance for all the rest of me.

How about you? How do you compost ideas? What are your tools of alchemy?

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